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By Breakfast – MUEJL
All music composed by Michel Stawicki, Uygur Vural, Elisabetta Lanfrendini, João Madeira and Luiz Rocha. Recorded in Lisbon on June, 7th 2022.Mixed and Mastered by João Madeira. Produced by João Madeira/4DaRecord. Original Art Collage Cover “Untitled” by Nina Fraser. Concept Design by Paulo Teixeira Lopes. 4DaRecord 2022 4DRCD006
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concerto caseiro #2
Concerto caseiro #2 Mathias Durand – voice and electric guitar André Togni – drums Kino Lopes – percussion Luiz Rocha – clarinet and bass clarinet Brasília 23 de dezembro de 2022
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Nocturna Discordia #299
Johannes Nästesjö – double bassLuiz Rocha – clarinet and bass clarinet BarcelonaJune 7th 2022
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Three Poems By Aleister Crowley/Tzim-Tzum
In Three Poems By Aleister Crowley: Ilona Schneider: soprano Agustí Martínez: alto saxophone Naná Rovira: bass clarinet(R) Eduard Altaba: double bass(R) Diego Caicedo: electric guitar Vasco Trilla: drums Carlos Ródenas: double bass(L) Luiz Rocha: bass clarinet(L) Xesc Llompart: violin Pope: trumpet In Tzim-Tzum: Fernando Brox: flute Agustí Martínez: clarinet Pope: trumpet Aram Montagut: trombone Amaiur…
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The Dream of Cthulhu – Discordian Community Ensemble
This is a live recording from the cycle of concerts entitled “Nocturna Discordia” that Discordian Records organizes every Wednesday since 2014 at Soda Acùstic, Barcelona. This is the 140th night in its entirety, and features quite dark (and sometimes funny) music by El Pricto, inspired in Lovecrafitian imagery. Fernando Brox: flute Luiz Rocha: bass clarinet…
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Insect Politics – Francesc Llompart
“Insect Politics” was recorded on October 23, 2012 at The Hodge Podge by El Pricto; “Hrönir” was recorded on June 21, 2018 at Sinestesia by Francesc Llompart; “Zipf!” was recorded live on February 21, 2017 at Centre Cívic Albareda by LopinskiMixed by Francesc LlompartMastered by Francesc Llompart and El Pricto Concept and cover art by…
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Tangencial Views – El Pricto
“Tangential Views” is a collection of archive recordings that never made it into a released album. The principal characteristic of these pieces is that they comprise overdubbing and stereophonic juxtaposition of textures as a common feature. They were composed at a time when I was somewhat obsessed with stereo panned minimalist textures made of improvised…